30/10/2025
Charles Bobuck - Life Is My Only Sunshine - Hardy Winfred Fox, Jr. October 30, 2018 (aged 73)
Hardy Winfred Fox, Jr. October 30, 2018 (aged 73)
28/10/2025
Johnny Dowd - That's your wife on the back of my horse @RSD2015
Known for being experimental and dark, with strong gothic elements in his lyrics, which often contain dark humor and touches of the absurd. He is often compared to artists like Tom Waits, Nick Cave, and Captain Beefheart due to his poetic lyricism and unconventional approach. He began his career late, with acclaimed albums like Wrong Side of Memphis (1998) and Temporary Shelter (2001).
🎂 Johnny Dowd's Birthday: March 29, 1948, Fort Worth, Texas, USA, turning 77
26/10/2025
Real CCTV Footage of the 2025 Louvre Heist – The Moment the Crown Jewels...
Security footage from inside the Louvre Museum has been uncovered — revealing how a group of masked thieves carried out one of the fastest and most calculated jewel heists in history.
In the early hours of October 19, 2025, three professional thieves broke into the Louvre Museum in Paris and executed a flawless plan. The CCTV footage shows their every move — scaling the side of the building with a lift, slipping through a second-floor window, and heading straight for the Galerie d’Apollon, home to France’s legendary crown jewels.
Within minutes, display cases were smashed, alarms were triggered, and treasures worth over $150 million vanished into the night. What’s most chilling is the precision — no chaos, no hesitation — just a perfectly timed operation that left investigators stunned.
Authorities believe the robbers fled on motorbikes waiting nearby, weaving through Paris streets before disappearing entirely. To this day, the stolen jewels remain missing, and the Louvre’s reputation as the world’s most secure museum is under question.
Watch the footage that’s now at the center of a global investigation — the moment history, art, and crime collided inside the walls of the Louvre.
Stay tuned for more real CCTV recoveries, true crime reconstructions, and world-famous heist breakdowns every week.
LIGNE ROUGE - Casse du siècle au Louvre, minute par minute
Trois minutes et 58 secondes. C'est le temps passé par deux cambrioleurs dans la galerie d'Apollon du Louvre pour s'emparer de 9 bijoux inestimables ce dimanche matin. Comment-ont -ils procédé ? Nous avons reconstitué ce casse du siècle minute par minute grâce aux informations du service Police Justice de BFM TV et à la spectaculaire animation graphique réalisée par Isabelle Quintard avec Thibaud Larrieu-Gibier et grâce à des images générées par intelligence artificielle.
22/10/2025
Helena Vlahos rolls again!
Helena Vlahos is famous for (among many other things) her appearance on the TV show "That's Incredible!" performing her Coin Rolling feat in 1981. Here she is again performing her coin rolling feat at a Belly Dance Community event in Long Beach, February 2011. See Surreyya's Interview with Helena on GildedSerpent.com.
19/10/2025
JEHNNY BETH
2025
Sometimes, Paris
2 SOLD OUT shows La Maroquinerie HÂÂÂATTE lundi/mardi monday/tuesday
Vas Deferens Organization "Morte Code" Brad Laner of Medicine, Savage Republic
Vas Deferens Organization (VDO) is a collective based in Dallas (led by Matt Castille and Eric Lumbleau, originally from Louisiana) that has been promoting a highly personal and excessively surreal vision of psychedelic music for years.
VDO is also a studio (which moved to New Orleans in 1998) that provides the most bizarre equipment to psychedelic bands in the area. Castille and Lumbleau recorded a dozen cassettes as a result of their experiments. Their first vinyl release was Miasmata (Womb Tunes, 1996).
With Brad Laner of Medicine, V.D.O. recorded Transcontinental Conspiracy (Quaquaversal Vinyl, 1996 - Niklas, 2011), which features three long Dadaist suites. Purely instrumental, these compositions make use of electronic techniques and tape manipulation. The only connection to rock music is basically the drums.
First Plane Not To Plummet Seaward (sixteen minutes) opens with an oriental-style motif, a kind of bolero with jungle verses, which changes into a frenetic vibraphone music box with a background of tribal percussion.
The melody crumbles into an excited rhythm of drums and electronic trills (a sort of ante-litteram “drums and bass” mediated by the cacophonies of Morton Subotnik), a phase of ingenious interlocking and overlapping of sounds that alone would justify the existence of the record. However, the music becomes even more dissonant, as if the tape were being distorted and played at variable speeds. Then the rhythm resumes relentlessly and the synthesizers begin to sing like out-of-tune birds in a metal jungle.
The percussion takes over again with a metallurgical cadence that leads to violent distortions and dissonances and a chaotic finale of samples.
Last Few Days In The Land Of Happy Dreams (twenty minutes), featuring only Castille, Lumbleau, and Laner, is a more challenging track, constructed with samples and tape manipulations, populated by a heterogeneous crowd of difficult and often extreme sounds.
Even when (after seven minutes) the drums come in, the jam continues to dispense random dissonances.
Devoid of melodies and real rhythms, the suite lives mainly on frenzied collages.
T (nine minutes) is reminiscent of a group of orchestral musicians tuning their instruments.
Nothing happens: the instruments simply emit disjointed sounds, as if searching for each other without ever finding each other, against a nerve-wracking crackling background.
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