Section 25 Part-Primitiv 2007 /LTM Recordings

👉 GURU GURU 👈🤗 Elektrolurch 🤗 🌻KRAUTROCK 🌻 Rare TV FOOTAGE Schweiz TV 1...

Neutral Milk Hotel - Gardenhead / Leave Me Alone

Crass / Poison Girls / Annie Anxiety / Seaman Stockton @ Vpro's NEON (Du...

OISEAUX-TEMPÊTE // Black Elephant

OISEAUX-TEMPÊTE Ben Shemie, Frédéric D. Oberland, Jean-Michel Pirès, Mondkopf & Stéphane Pigneul Ingénieur du son: Benoît Bel à Mikrokosm

Sharon Van Etten & The Attachment Theory - Trouble (Live from the Church...

Crispy Ambulance The Plateau Phase ℗ 2007 LTM Songs Travel Time

Sun Ra & Arkestra Spain 1985 (2/2)

Sun Ra Arkestra - Angels And Demons At Play (in session for BBC Jazz on 3)

Sun Ra and His Arkestra Watusa

Sun Ra & His Arkestra Kingdom of Thunder

Sun Ra Arkestra directed by Marshall Allen Live in New Orleans - Space i...

Sun Ra Arkestra Lights on a Satellite

The Messthetics The Messthetics 2018 Dischord Records Mythomania

The Messthetics The Messthetics 2018 Dischord Records

The Better Beatles - Paperback Writer

one more of fav band... weird project... The Better Beatles As far as cover versions bands are concerned, you don’t get any weirder than Better Beatles, as here we have a simple and singular concept: that of replaying classic Beatles songs in a minimal-post-punk fashion. The Better Beatles were a short-lived post-punk band formed in Omaha, Nebraska in 1981. The group consisted of Kurt Magnuson on bass, Dave Nordin on synthesizer, Jean pSmith on vocals, and Jay Rosen on drums and vocals. Their repertoire consisted entirely of cold, minimalist covers of the songs of The Beatles in an irreverent manner comparable to covers performed by The Residents ...

Small Medium Large (SML) Window Sill Song

SML · Jeremiah Chiu · Gregory Uhlmann · Josh Johnson · Booker Stardrum · Anna Butterss Small Medium Large ℗ 2024 International Anthem Espécie de super grupo de Los Angeles em estreia na International Anthem, o quinteto de Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum e Gregory Uhlmann não passa sem nos fazer lembrar as composições mais sintetizadas de Herbie Hancock - e não fosse a terceira faixa do disco chamar-se “Herbie for Commercials”. mas tudo vai além disso: há aqui uma liberdade de mudança entre paisagens, de uma mestria da gramática dos sons que é raro encontrarmos noutros lugares - em “Rubber Tree Dance”, mais pelo fim, a naturalidade com que revertem o sentido da faixa e desaguam num mar de sons etéreos, calmos e bonitos - potenciados por efeitos e pelas técnicas de estúdio - é fascinante. Improvisações circulares e cruas editadas e arranjadas resultaram no que ouvimos no disco. Há funk, jazz, música ambiental com laivos de new age (não fosse Chiu membro integrante deste projecto), tudo ancorado por ritmos electrónicos e com uma improvisação de tom mais freak, psicadélica, como mote. Um piscar de olhos aos delírios kraut e jazz com inovações texturais electrónicas? Música de dança fora do baralho? As influências cictadas corroboram isto: Pole, Susumu Yokota, Can, Fela Kuti, Herbie Hancock. Encontram tudo aqui no novo International Anthem. Flur one of the best 2024 album Sounding at various points like a contemporary electronic dance record, On the Corner–style 1970s fusion, or 1980s New York mutant disco like Liquid Liquid and ESG, the West Coast quintet SML’s first album is constructed from live improvisations transformed through postproduction editing and processing. The group has its roots in Jeff Parker’s Los Angeles jazz venue ETA, which closed last year; bassist Anna Butterss and saxophonist Josh Johnson are also both on Parker’s superlative double album this year, The Way Out of Easy. Circular and raw improvisations edited and arranged resulted in the album. There is funk, jazz, environmental music with hints of new age (if it weren't for Chiu being an integral member of this project), all anchored by electronic rhythms and with a more freaky, psychedelic improvisation as the motto. A nod to kraut and jazz delirium with electronic textural innovations? Dance music off the deck? The influences cited corroborate this: Pole, Susumu Yokota, Can, Fela Kuti, Herbie Hancock. But the shimmery, pulsing sound of SML, with its synthesizers, guitars, percussion, and loops, has the potential to entice a listenership not usually drawn to free-jazz types, perhaps the way Chicago’s Tortoise did in the 1990s—with the squared-off anti-funk of “Industry,” for instance, or the near-ambient pit-a-pat of “Window Sill Song.” Enfield Tennis Academy. The tiny Los Angeles cocktail bar, with its specialty in avant-garde jazz and a name that winked at David Foster Wallace’s Infinite Jest, dodged any accusations of snobbishness by cutting out the usual strictures: no two-drink minimum, no ban on talking or cell phones, and for a while at least, no cover charge. ETA became a destination for the new jazz scene’s westward migration from Chicago to L.A.; a weekly improv session led by Tortoise and Isotope 217 guitarist Jeff Parker was the highlight of the schedule, and a phenomenal recording of those shows, 2022’s Mondays at the Enfield Tennis Academy, finally let the world know what was happening in the cramped back space of that long, narrow club. But despite its momentum, ETA officially shut down at the end of 2023, closing another chapter in the history of West Coast jazz.

Delusion of the Fury: Act I: Treats with Death and with Life Despite Dea... HARRY PARTCH

The Residents - The Aging Musician by Gingerbread Man (1994)

The Aging Musician: Narcissus knows no one naked Gingerbread Man (1994) The Residents

martywillson-piper by THE CHURCH Creating the IN DEEP MUSIC ARCHIVE Porto - Phase 2

Hello to everyone that has been following the progress of the In Deep Music Archive since ‘Phase One’ and extraction from Penzance (haha, sounds military). That was quite an operation after more than 15 years there but as the landlord had bequeathed the building to another organisation it was time for us to leave. In the wake of this imminent move, Olivia and I relocated to Portugal where we have planned to establish The Archive in more suitable surroundings. Porto is Portugal's second city and is a vibrant place always packed full of tourists whatever the season and seems a more appropriate place to have this cultural collection rather than tucked away in the far corner of south-west England, despite its magical beauty. Porto has a magical beauty of its own and we are happy to report that we can now begin ‘Phase Two’ as we have secured premises right in the centre of the city. This new location is situated at Rua de Coelho Neto 17 between Rua de Fernandes Tomás and the Largo de Padrão square. It has big windows at the front and approximately 200 square metres of space (about 2100 square feet). It’s three times larger than In Deep Penzance and consequently needs work to make it ready. It used to be a lab and has some strange features that need sorting out, some additions, some subtractions. It has partitioned rooms with sinks that need to be removed and a lot of pipes funnelling water to all corners. Despite all this, it has no hot water boiler and the sinks in the bathroom and kitchen have no taps. The walls are all beige and need rendering in places and most desperately need some colour. We need to add more safe power outlets and we have had a consultation from (as it happens) a builder from Australia (Brad) who has a Portuguese wife, Filipe, a plumber and Marco, an electrician. We need to get the kitchen plumbed in, electrified and operational, the bathroom sorted, electrics safe, some attention to floors and security. We have already installed new security gates at the front, fixed the security gates at the back and have some motion-sensitive cameras in there that we can view remotely from here in Dallas. Saturday, 28th September, 2024 we will be performing live on our YouTube Channel as part of an In Deep Music Archive fundraiser. As we enter into the autumn, we will mostly be here in Porto working in The Archive, and over the coming months, we will be endeavouring to make it into a place for preserving recorded musical history. The music, the cover art, the fashions, how the records typified the era they were released in, the productions, the post-digital world and the pre-synthesiser recording, and all genres from smokey jazz to the virtuosos and composers in classical music, and of course rock, pop, soul and all the branches that have sprouted over the eras from the blues to contemporary music, are considered here at In Deep. People will be able to visit, drink tea, check out the library, and we would hope to have small performances, album launches and album-listening nights as we get everything sorted and filed away. We are using this quiet period in regard to touring and our upcoming project releases to concentrate on The Archive’s future, but it’s one thing having it and another thing keeping it, so we will appreciate donations for the performance so that The Archive can continue on its quest.

martywillson-piper by the church - Creating the IN DEEP MUSIC ARCHIVE Porto - Phase 1

GOFUNDME CAMPAIGN to support the creation of the IN DEEP MUSIC ARCHIVE Porto After the In Deep Music Archive has been living in a cellar in Penzance, Cornwall, for about 15 years, we just finished moving everything into storage to be reunited with more records, more amps, more gear, more books, more artefacts, more Russian projectors, ... boxing everything up, labelling everything, setting up an inventory. Next goal - getting it all shipped to Porto, Portugal, in order to FINALLY open the In Deep Music Archive Porto, a museum, venue, record shop, café, recording studio, and much much much more! Here’s some cool video footage of the storage with me and Fred and Gerri Ann from Minneapolis who were over helping us organise the big archive move. We didn’t manage to get any footage with Aram, Hud and anybody else helping pack in Penzance because we were simply so wrapped up in it all. Thank you to everybody who has contributed in any way to making this happen and let’s hope it does - happen that is. martywillson-piper Marty’s Top 147 Rock & Pop Guitarists Jan Akkerman Duane Allman Ron Asheton Ferdinand Bakker Martin Barre Syd Barrett Jeff Skunk Baxter Jeff Beck Chris Bell Eric Bell Dickie Betts Ritchie Blackmore Mike Bloomfield Marc Bolan James Burton Bernard Butler Michael Bruce Wally Bryson Roy Buchanan Lindsey Buckingham Glen Buxton Mike Campbell Manny Charlton Alex Chilton John Cippolina Eric Clapton Zal Cleminson Nels Cline Ry Cooder Steve Cropper Dave Davies Buck Dharma (Donald Roeser) Al DiMeola Nick Drake The Edge Elliot Easton Peter Frampton Dave Edmonds Robert Fripp Fred Frith Rory Gallagher Lowell George David Gilmour Alice Go Scott Gorham Guthrie Govan Peter Green Johnny Greenwood Robin Guthrie Manuel Göttsching Steve Hacket Ollie Halsall George Harrison Warren Haynes Eddie Hazel Jimi Hendrix Steve Hillage Allan Holdsworth James Honeyman-Scott Steve Howe Steve Hunter Tony Iommi Bert Jansch Wilko Johnson Justin Jones Steve Jones Terry Kath Michael Karoli Danny Kirwan Robby Krieger Mark Knopfler Paul Kossoff Wayne Kramer Andy Latimer Alvin Lee Alex Lifeson Richard Lloyd Nils Lofgren Harvey Mandel Johnny Marr Steve Marriott Hank Marvin Dave Mason Patrick Mata Brian May Nick McCabe John Mclaughlin Jimmy McCulloch John McGeoch Roger McGuinn Tony McPhee Gary Moore Scotty Moore Thurston Moore Bill Nelson Mike Oldfield Jimmy Page Les Paul Eddie Phillips Andy Powell Lee Ranaldo John Renborn David Rhodes Keith Richards Johnny Ramone Brian Robertson Omar Rodriguez-Lopez Mick Ronson Terje Rypdal Carlos Santana Will Sergeant Michael Schenker Tom Scholz Neal Schon Andy Scott Kevin Shields Slash Fred Sonic Smith Chris Spedding Stephen Stills Andy Summers Mick Taylor Richard Thompson Johnny Thunders Mary Timony Pete Townshend Robin Trower Derek Trucks Ted Turner Eddie Van Halen Stevie Ray Vaughn Tom Verlaine Dick Wagner Joe Walsh Jack White Leslie West Winged Eel Fingerling (Elliot Ingber) Clarence White James Williamson Johnny Winter Steve Winwood Ronnie Wood Link Wray Angus Young Malcolm Young Neil Young Zoot Horn Rollo (Bill Harkleroad) Frank Zappa

Marty Willson-Piper LIVE IN Portugal on Primeiro Jornal (SIC Televisão) "Portugal's BBC News" featuring Marty Willson-Piper by THE CHURCH

Siglo XX - The End of the Night

BLITZ PLAYHOUSE Live at Paper Dress Vintage

Blitz Playhouse Live at Easycome, The Old Dispensary.

Sparks A Woofer In Tweeter's Clothing 1973 - Nothing Is Sacred

Mike Watt / Papa M Fireman Hurley 2024

Mike Watt / Papa M S/T 2024 A “one-for-one” split 7-inch containing a cover apiece from Mike Watt (Minutemen) and Papa M, aka David Pajo (Slint, Gang of Four), limited to 1,000 units and going fast.

Transformation Aréna Grand-Stade Pierre Mauroy

It Is a Painful Thing to Be Alone: We Are But One- Genesis Breyer P-Orridge

It Is a Painful Thing to Be Alone: We Are But One | Genesis P-Orridge The first major posthumous presentation in Europe of the work of artist, musician, writer and occultist Genesis Breyer P-Orridge (1950-2020). Explore the first exhibition that traces the broader context of Genesis Breyer P-Orridge’s work and associated culture. 26 Oct 2023 - 3 Mar 2024 | DOX Centre for Contemporary Art Curators: Benjamin Tischer (New Discretions) and Otto M. Urban (DOX), in cooperation with Genesse P-Orridge (GBPO Estate) VIDEO: Dionysus Adronis, The Pandrogeny Manifesto, 2006 Marie Losier, Unused Outtakes with Lady Jaye, 2009 Marie Losier, Orlan & Genesis at Coney Island, 2009 Nicolas Jenkins, YOBExcerpt, 2001–2002 Tom Powel, Blood Sacrifice, 2012 Scott Treleaven, Last Seven Words, 2009 Sam Zimmerman, Thee Whispering Began, 2003 MUSIC: Sex & the Married Frog - Mixed (Interpret: Dave Ball, Genesis P-Orridge; Music and Lyrics: Dave Ball, Genesis P-Orridge; Production: Dave Ball, Genesis P-Orridge)

The Chills - Pink Frost (Live on KEXP) - RIP MARTIN PHILLIPS 2024

RIP MARTIN PHILLIPS 28 july 2024 Indie rock band founded in 1980 in Dunedin, New Zealand

ETHYL MEATPLOW - DEVILS JOHNSON - Carla Bozulich

from their 12¨ ep ¨colored maxi¨ released on piece of mind records in 1991 this group composition later appeared on their only long player of 1993 ¨happy days sweetheart¨, this l.a. three piece could be labeled industrial/alternative, i like both versions, give it a listen and a like or maybe not. lead singer carla bozulich went on later to do vocal duties for the geraldine fibbers. Ethyl Meatplow was a short-lived pseudo-industrial alternative/dance-rock outfit comprised of vocalist Carla Bozulich, singer-guitarist John Napier, drummer Harold Barefoot Sanders III/Biff Sanders. Formed circa 1990, the group released three independent singles before their only album, 1993's Happy Days Sweetheart. The group earned a reputation for their live shows, which combined samples and electronics with live instrumentation. The album earned good reviews in alternative/underground magazines yet the band spilt soon after its release. Carla Bozulich became the vocalist for the pseudo-country-rock group The Geraldine Fibbers.