The Sound Of Progress ~ Coil, Current 93, Foetus, Test Dept-Dutch TV Doc...

The Sound Of Progress ~ Coil, Current 93, Foetus, Test Dept Dutch TV Documentary-1988 Directed by Alexander Oey . Ft Coil Current 93 Foetus Test Dept. The Sound Of Progress DVD (CSR194DVD) Coil - Current 93 - Foetus - Test Dept. The documentary shows the mindset of the some of the most original and influential artists of the experimental scene. An unprecedented insight into the workings, the methods and the ideas that made these names legendary. Filmed in Hamburg, Amsterdam and London. Interviews – live material – studio work Director: Alexander Oey Producer: Marc Van Der Bijl / Justin Mitchell Broadcast on Dutch TV’s Videoline program in 1988, the forward-looking documentary The Sound of Progress combines interview and performance footage of some of the period’s most thoughtful and articulate musical extremists. If you have any interest in what Coil, Current 93, Scraping Foetus off the Wheel or Test Dept thought about, sounded like, or ate for lunch three decades ago, these 40 minutes will whiz by. And if you don’t have any interest in these four artists, might I recommend, as your personal medical adviser, that you remove the shit from your ears? Let the anger, despair and hatred of these musicians, who all recognize the total emptiness of their cultural moment, stand as a corrective to ‘80s nostalgia. Their diagnosis still applies because the whiny, sedative, garbage-ass clown music saturating everyday life was just as bad then, though it might be twice as pervasive now. Here’s David Tibet’s take on the hot sounds of 1988, which he concludes by prescribing “a good kicking” for the anesthetized pop audience: People listen to pop music for an easy way out, just for enjoyment of the most shallow and tedious type, really. The problem with Western music—contemporary Western music—is that it offers nothing except shallow pleasure, petty enjoyment, and the promise of dancing the night away and drinking, fucking, picking people up, all completely pointless things to do. Western music used to have something important in it if we look back at the classical composers, but even the classical music of the West now can’t offer anything to people, because it exists in its own sphere. It’s a finished sort of music. As you might expect, Tibet speaks for C93 and JG Thirlwell for Foetus, while everyone in Test Dept—the most explicitly left-wing of the industrial groups—gets an equal say. John Balance and Stephen Thrower do most of the talking for Coil, though you’ll catch glimpses of Peter “Sleazy” Christopherson sticking his fingers in Balance’s mouth over a champagne lunch and playing a Fairlight in the studio. Everyone looks really young. Aside from their shared disgust with the popular music of the time, the four groups don’t necessarily agree on much. Coil’s insistence on the primacy of mystical experience is met by Test Dept’s stark social realism; Tibet’s conviction that Western civilization is stone dead is balanced by Thirlwell’s professed love for cultural trash. Nor do the occultists in the bunch agree on what is to be done: as the members of Coil turn inward, Tibet prepares to abandon the moldering corpse of Western civilization and seek truth in India. (It’s worth sticking around until the end of the doc to learn what he found there.).

Coil - Feature/Interview on "Bad Behaviour" UK Documentary from "Hello C...

Interview with the band Coil from a UK documentary "Bad Behaviour" about the nature of evil (part of the "Hello Culture" series) presented by Matthew Collings in 2001.

Coil - "The Sound of Progress" Interview & Studio Footage (1986)

Coil "The Sound of Progress" Documentary Interview and Studio Footage - 1986 Coldspring DVD Reissue John Balance Peter "Sleazy" Christopherson Stephen Thrower Dinner footage shot at John and Peter's home in Chiswick. Interview and studio footage shot outside of Sam Therapy Studios in the courtyard and inside the studio. Song performed in the studio is an early version of "Tiny Birds," which then became "For Us, They Will" on Gold is the Metal with the Broadest Shoulders (1987). Stephen Thrower born 9 December 1963, Ashton-under-Lyne, Lancashire, United Kingdom Member of Coil, Cyclobe, Possession, Put Put, Satin Chickens, UnicaZürn

Mão Morta @ Infante Sagres, Porto (1987-12-07)

1987-12-07 Pavilhão Infante Sagres Porto, Portugal Audience (M) ANA - 39 Minutes 07/12/87 Porto, Pavilhão Infante Sagres 1ª parte de Xutos & Pontapés. Os Mão Morta aparecem vestidos de pijama. Intro / E Se Depois / Bófia / Véus Caídos / Chabala / Sitiados / Aum / Oub'lá. foto, publicada no Blitz, é do concerto da danceteria Rivoli, no Porto, na primeira parte dos Pop d'ell Arte!!!

One More Grain - Confession Time 2007

GRÓA - What I like to do (Live on KEXP)

GRÓA performing “What I like to do” live in the KEXP studio. Recorded October 5, 2023 Karó Einars Maríudóttir - Lead Vocals, Keys, Guitar Marta Ákadóttir - Dancer, Sax, Percussion, Recorder Fríða Björg Pétursdóttir - Bass, Background Vocals Hrabba Einars Maríudóttir - Drums, Background Vocals

Julian Cope - Prodigal Sun

Monkey Bizness RIP DAVID THOMAS PERE UBU april 2025

You Killed Me First- Richard Kern film

You Killed Me First (1985) written and directed by Richard Kern, Main cast Lung Leg, David Wojnarowicz, Karen Finley. synopsis: A young woman rebels against her family's petty bourgeois respectability, conservatism and religiosity The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City–based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films. Key players in this movement were Zedd, Kembra Pfahler, Tessa Hughes-Freeland, Casandra Stark, Beth B, Tommy Turner, Jon Moritsugu, Manuel DeLanda, David Wojnarowicz, Richard Kern, and Lydia Lunch, who in the late 1970s and mid-1980s began to make very low-budget films using cheap 8 mm cameras. You Killed Me First (1985) escrita y dirigida por Richard Kern, Reparto principal Lung Leg, David Wojnarowicz, Karen Finley. sinopsis: Una joven se rebela contra la respetabilidad, el conservadurismo y la religiosidad pequeño burgueses de su familia El cine de la transgresión es un término acuñado por Nick Zedd en 1985 para describir un movimiento cinematográfico underground con sede en la ciudad de Nueva York , formado por un grupo poco unido de artistas que utilizaban el valor del impacto y el humor negro en sus películas. [Los actores clave de este movimiento fueron Zedd, Kembra Pfahler , Tessa Hughes-Freeland , Casandra Stark , Beth B , Tommy Turner, Jon Moritsugu , Manuel DeLanda , David Wojnarowicz , Richard Kern y Lydia Lunch , quienes a finales de los años 1970 y mediados de los años 1980 comenzaron a hacer películas de muy bajo presupuesto utilizando cámaras baratas de 8 mm.

The Manhattan Love Suicides: Stray Dogs (1985)

The Manhattan Love Suicides (Richard Kern, Nick Zedd – 1985) A collection of short films directed by two No Wave icons – Richard Kern and Nick Zedd, The Manhattan Love Suicides launches a powerful commentary on the social conditions of that time. A dystopian vision of a very real city, the films present bleak vignettes of human depravity. Zedd commented, “I think there’s something about making underground films and showing them in places where people have to come and see them is better because that’s a more physical commitment to an insurgent resistance to mainstream entertainment. I think the fact that everyone’s sitting in front of laptops and computers looking at these screens – it’s isolating people.” Short film by Richard Kern realized in 1985 and starring David Wojnarowicz (Fan), Bill Rice (Artist), Robin Renzi (Woman), Montanna Houston (Bum). Music by J.G. Thirlwell.

Section 25 Part-Primitiv 2007 /LTM Recordings

👉 GURU GURU 👈🤗 Elektrolurch 🤗 🌻KRAUTROCK 🌻 Rare TV FOOTAGE Schweiz TV 1...

Neutral Milk Hotel - Gardenhead / Leave Me Alone

Crass / Poison Girls / Annie Anxiety / Seaman Stockton @ Vpro's NEON (Du...

OISEAUX-TEMPÊTE // Black Elephant

OISEAUX-TEMPÊTE Ben Shemie, Frédéric D. Oberland, Jean-Michel Pirès, Mondkopf & Stéphane Pigneul Ingénieur du son: Benoît Bel à Mikrokosm

Sharon Van Etten & The Attachment Theory - Trouble (Live from the Church...

Crispy Ambulance The Plateau Phase ℗ 2007 LTM Songs Travel Time

Sun Ra & Arkestra Spain 1985 (2/2)

Sun Ra Arkestra - Angels And Demons At Play (in session for BBC Jazz on 3)

Sun Ra and His Arkestra Watusa

Sun Ra & His Arkestra Kingdom of Thunder

Sun Ra Arkestra directed by Marshall Allen Live in New Orleans - Space i...

Sun Ra Arkestra Lights on a Satellite

The Messthetics The Messthetics 2018 Dischord Records Mythomania

The Messthetics The Messthetics 2018 Dischord Records

The Better Beatles - Paperback Writer

one more of fav band... weird project... The Better Beatles As far as cover versions bands are concerned, you don’t get any weirder than Better Beatles, as here we have a simple and singular concept: that of replaying classic Beatles songs in a minimal-post-punk fashion. The Better Beatles were a short-lived post-punk band formed in Omaha, Nebraska in 1981. The group consisted of Kurt Magnuson on bass, Dave Nordin on synthesizer, Jean pSmith on vocals, and Jay Rosen on drums and vocals. Their repertoire consisted entirely of cold, minimalist covers of the songs of The Beatles in an irreverent manner comparable to covers performed by The Residents ...

Small Medium Large (SML) Window Sill Song

SML · Jeremiah Chiu · Gregory Uhlmann · Josh Johnson · Booker Stardrum · Anna Butterss Small Medium Large ℗ 2024 International Anthem Espécie de super grupo de Los Angeles em estreia na International Anthem, o quinteto de Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum e Gregory Uhlmann não passa sem nos fazer lembrar as composições mais sintetizadas de Herbie Hancock - e não fosse a terceira faixa do disco chamar-se “Herbie for Commercials”. mas tudo vai além disso: há aqui uma liberdade de mudança entre paisagens, de uma mestria da gramática dos sons que é raro encontrarmos noutros lugares - em “Rubber Tree Dance”, mais pelo fim, a naturalidade com que revertem o sentido da faixa e desaguam num mar de sons etéreos, calmos e bonitos - potenciados por efeitos e pelas técnicas de estúdio - é fascinante. Improvisações circulares e cruas editadas e arranjadas resultaram no que ouvimos no disco. Há funk, jazz, música ambiental com laivos de new age (não fosse Chiu membro integrante deste projecto), tudo ancorado por ritmos electrónicos e com uma improvisação de tom mais freak, psicadélica, como mote. Um piscar de olhos aos delírios kraut e jazz com inovações texturais electrónicas? Música de dança fora do baralho? As influências cictadas corroboram isto: Pole, Susumu Yokota, Can, Fela Kuti, Herbie Hancock. Encontram tudo aqui no novo International Anthem. Flur one of the best 2024 album Sounding at various points like a contemporary electronic dance record, On the Corner–style 1970s fusion, or 1980s New York mutant disco like Liquid Liquid and ESG, the West Coast quintet SML’s first album is constructed from live improvisations transformed through postproduction editing and processing. The group has its roots in Jeff Parker’s Los Angeles jazz venue ETA, which closed last year; bassist Anna Butterss and saxophonist Josh Johnson are also both on Parker’s superlative double album this year, The Way Out of Easy. Circular and raw improvisations edited and arranged resulted in the album. There is funk, jazz, environmental music with hints of new age (if it weren't for Chiu being an integral member of this project), all anchored by electronic rhythms and with a more freaky, psychedelic improvisation as the motto. A nod to kraut and jazz delirium with electronic textural innovations? Dance music off the deck? The influences cited corroborate this: Pole, Susumu Yokota, Can, Fela Kuti, Herbie Hancock. But the shimmery, pulsing sound of SML, with its synthesizers, guitars, percussion, and loops, has the potential to entice a listenership not usually drawn to free-jazz types, perhaps the way Chicago’s Tortoise did in the 1990s—with the squared-off anti-funk of “Industry,” for instance, or the near-ambient pit-a-pat of “Window Sill Song.” Enfield Tennis Academy. The tiny Los Angeles cocktail bar, with its specialty in avant-garde jazz and a name that winked at David Foster Wallace’s Infinite Jest, dodged any accusations of snobbishness by cutting out the usual strictures: no two-drink minimum, no ban on talking or cell phones, and for a while at least, no cover charge. ETA became a destination for the new jazz scene’s westward migration from Chicago to L.A.; a weekly improv session led by Tortoise and Isotope 217 guitarist Jeff Parker was the highlight of the schedule, and a phenomenal recording of those shows, 2022’s Mondays at the Enfield Tennis Academy, finally let the world know what was happening in the cramped back space of that long, narrow club. But despite its momentum, ETA officially shut down at the end of 2023, closing another chapter in the history of West Coast jazz.

Delusion of the Fury: Act I: Treats with Death and with Life Despite Dea... HARRY PARTCH

The Residents - The Aging Musician by Gingerbread Man (1994)

The Aging Musician: Narcissus knows no one naked Gingerbread Man (1994) The Residents

martywillson-piper by THE CHURCH Creating the IN DEEP MUSIC ARCHIVE Porto - Phase 2

Hello to everyone that has been following the progress of the In Deep Music Archive since ‘Phase One’ and extraction from Penzance (haha, sounds military). That was quite an operation after more than 15 years there but as the landlord had bequeathed the building to another organisation it was time for us to leave. In the wake of this imminent move, Olivia and I relocated to Portugal where we have planned to establish The Archive in more suitable surroundings. Porto is Portugal's second city and is a vibrant place always packed full of tourists whatever the season and seems a more appropriate place to have this cultural collection rather than tucked away in the far corner of south-west England, despite its magical beauty. Porto has a magical beauty of its own and we are happy to report that we can now begin ‘Phase Two’ as we have secured premises right in the centre of the city. This new location is situated at Rua de Coelho Neto 17 between Rua de Fernandes Tomás and the Largo de Padrão square. It has big windows at the front and approximately 200 square metres of space (about 2100 square feet). It’s three times larger than In Deep Penzance and consequently needs work to make it ready. It used to be a lab and has some strange features that need sorting out, some additions, some subtractions. It has partitioned rooms with sinks that need to be removed and a lot of pipes funnelling water to all corners. Despite all this, it has no hot water boiler and the sinks in the bathroom and kitchen have no taps. The walls are all beige and need rendering in places and most desperately need some colour. We need to add more safe power outlets and we have had a consultation from (as it happens) a builder from Australia (Brad) who has a Portuguese wife, Filipe, a plumber and Marco, an electrician. We need to get the kitchen plumbed in, electrified and operational, the bathroom sorted, electrics safe, some attention to floors and security. We have already installed new security gates at the front, fixed the security gates at the back and have some motion-sensitive cameras in there that we can view remotely from here in Dallas. Saturday, 28th September, 2024 we will be performing live on our YouTube Channel as part of an In Deep Music Archive fundraiser. As we enter into the autumn, we will mostly be here in Porto working in The Archive, and over the coming months, we will be endeavouring to make it into a place for preserving recorded musical history. The music, the cover art, the fashions, how the records typified the era they were released in, the productions, the post-digital world and the pre-synthesiser recording, and all genres from smokey jazz to the virtuosos and composers in classical music, and of course rock, pop, soul and all the branches that have sprouted over the eras from the blues to contemporary music, are considered here at In Deep. People will be able to visit, drink tea, check out the library, and we would hope to have small performances, album launches and album-listening nights as we get everything sorted and filed away. We are using this quiet period in regard to touring and our upcoming project releases to concentrate on The Archive’s future, but it’s one thing having it and another thing keeping it, so we will appreciate donations for the performance so that The Archive can continue on its quest.

martywillson-piper by the church - Creating the IN DEEP MUSIC ARCHIVE Porto - Phase 1

GOFUNDME CAMPAIGN to support the creation of the IN DEEP MUSIC ARCHIVE Porto After the In Deep Music Archive has been living in a cellar in Penzance, Cornwall, for about 15 years, we just finished moving everything into storage to be reunited with more records, more amps, more gear, more books, more artefacts, more Russian projectors, ... boxing everything up, labelling everything, setting up an inventory. Next goal - getting it all shipped to Porto, Portugal, in order to FINALLY open the In Deep Music Archive Porto, a museum, venue, record shop, café, recording studio, and much much much more! Here’s some cool video footage of the storage with me and Fred and Gerri Ann from Minneapolis who were over helping us organise the big archive move. We didn’t manage to get any footage with Aram, Hud and anybody else helping pack in Penzance because we were simply so wrapped up in it all. Thank you to everybody who has contributed in any way to making this happen and let’s hope it does - happen that is. martywillson-piper Marty’s Top 147 Rock & Pop Guitarists Jan Akkerman Duane Allman Ron Asheton Ferdinand Bakker Martin Barre Syd Barrett Jeff Skunk Baxter Jeff Beck Chris Bell Eric Bell Dickie Betts Ritchie Blackmore Mike Bloomfield Marc Bolan James Burton Bernard Butler Michael Bruce Wally Bryson Roy Buchanan Lindsey Buckingham Glen Buxton Mike Campbell Manny Charlton Alex Chilton John Cippolina Eric Clapton Zal Cleminson Nels Cline Ry Cooder Steve Cropper Dave Davies Buck Dharma (Donald Roeser) Al DiMeola Nick Drake The Edge Elliot Easton Peter Frampton Dave Edmonds Robert Fripp Fred Frith Rory Gallagher Lowell George David Gilmour Alice Go Scott Gorham Guthrie Govan Peter Green Johnny Greenwood Robin Guthrie Manuel Göttsching Steve Hacket Ollie Halsall George Harrison Warren Haynes Eddie Hazel Jimi Hendrix Steve Hillage Allan Holdsworth James Honeyman-Scott Steve Howe Steve Hunter Tony Iommi Bert Jansch Wilko Johnson Justin Jones Steve Jones Terry Kath Michael Karoli Danny Kirwan Robby Krieger Mark Knopfler Paul Kossoff Wayne Kramer Andy Latimer Alvin Lee Alex Lifeson Richard Lloyd Nils Lofgren Harvey Mandel Johnny Marr Steve Marriott Hank Marvin Dave Mason Patrick Mata Brian May Nick McCabe John Mclaughlin Jimmy McCulloch John McGeoch Roger McGuinn Tony McPhee Gary Moore Scotty Moore Thurston Moore Bill Nelson Mike Oldfield Jimmy Page Les Paul Eddie Phillips Andy Powell Lee Ranaldo John Renborn David Rhodes Keith Richards Johnny Ramone Brian Robertson Omar Rodriguez-Lopez Mick Ronson Terje Rypdal Carlos Santana Will Sergeant Michael Schenker Tom Scholz Neal Schon Andy Scott Kevin Shields Slash Fred Sonic Smith Chris Spedding Stephen Stills Andy Summers Mick Taylor Richard Thompson Johnny Thunders Mary Timony Pete Townshend Robin Trower Derek Trucks Ted Turner Eddie Van Halen Stevie Ray Vaughn Tom Verlaine Dick Wagner Joe Walsh Jack White Leslie West Winged Eel Fingerling (Elliot Ingber) Clarence White James Williamson Johnny Winter Steve Winwood Ronnie Wood Link Wray Angus Young Malcolm Young Neil Young Zoot Horn Rollo (Bill Harkleroad) Frank Zappa