MARCAS CARDEAIS
A internet é hoje em dia o reflexo daquilo que somos para o bem e para o mal. Eu criei este blogue com o objectivo de falar sobre a cultura pop - musica, cinema, livros, fotografia, dança... porque gosto de partilhar a minha paixão, o meu conhecimento a todos. O meu amor pela música é intenso, bem como a minha curiosidade pelo novo. Como não sou um expert em nada, sei um pouco de tudo, e um pouco de nada, o gosto ultrapassa as minhas dificuldades. Todos morremos sem saber para que nascemos.
09/06/2024
02/06/2024
John Bender - 42b4 Plaster
John Bender
born 1950, Nürnberg, Bayern, Germany
Plaster Falling 1981
Minimal Synth, Minimal Wave
reissue Plaster Falling 2016 Superior Viaduct
26/05/2024
Two Dollar Guitar - Burned And Buried
Two Dollar Guitar
formed in 1992 in Hoboken, New Jersey
Dave Motamed, David Newgarden, Janet Wygal, Luc Suèr, Steve Shelley, Tim Foljahn
25/05/2024
Poppycock - Magic Mothers THE FALL
wonderfully varied album
Poppycock are a predominantly female collective built around Una Baines, a founder member of both The Fall and Blue Orchids and a symbolic godmother to many Mancunian artists and musicians who cite her as an aspiration and mentor.
Following low-key releases over the years, finally a full-length album on Tiny Global, and it is utterly spellbinding. (If that’s the right word thinks Ged Babey realising it alludes to witchcraft…)
I am a feminista
I am your sacred sister
No means no
Stop Means stop
(Magic Mothers)
Marcadores:
2024,
Poppycock,
Una Baines
04/05/2024
01/05/2024
SONORA PINE - Linda Jo BY Tara Jane O'Neil
I always followed, I liked, I listened to Tara Jane O'Neil, solo and in Rodan and Sonora Pine.
the first solo album Peregrine 2000, one of the good albums You Sound, Reflect 2004, and MED 2012.
This year she released one of her best albums The Cool Cloud of Okayness 2024
Marcadores:
Rodan,
Sonora Pine,
Tara Jane O'Neil
27/04/2024
Santuário da Penha Guimarães 27-04 2024 RUI, CILA, LUNA
turistas espenhois em visita ao ERMITÃO, Santuário da Penha,
Hoje fui almoçar num lugar exótico... é muito lindo... o ERMITÃO, de Santo Elias "antigamente criavam gado aqui...) e (ELIAS o gato come carne!!!, ele come tudo e não paga .!!) e fica numa caverna, com todas essas pedras enormes que a natureza descobriu, e a comida é saborosa e “caseira” o forno a lenha fica embaixo de uma pedra enorme.... como você pode. veja na foto do cardápio É bem sugestivo (tem punheta de bacalhau) e você não paga muito.... um lugar para descobrir no Santuário da Penha, onde acontecia o comício da Penha, mas como gente morreu em um acidente, não foi mais mantido
Marcadores:
cila,
Luna,
rui,
santuário da penha Guimarães 27-04 2024
25/04/2024
English Teacher This Could Be Texas song Broken Biscuits 2024
English Teacher storms through with debut record This Could Be Texas, an essential piece in the ever-growing puzzle of the British music scene
When you start the month and your major concern is a fear of flights and a font change on Word Online, life must be good.
It is better when soundtracked by the quality artists of the last few years – the boom of UK music culture must be noted.
Either the trees are dropping the signal intermittently or some shock radio static precedes the calm wash of acoustic beauty on opener Albatross. Wonderful stuff is expected of English Teacher.
They have stacked the odds in their favour and paid back their self-confidence and the tall order of their own work on This Must Be Texas, a debut to die for. Perfect music for the Hull to King’s Cross train as the sun starts to reflect in your glasses and blind you. Spring is here in its full form, and so too is This Must Be Texas and all its simmering instrumental joy.
Lily Fontaine delights with inspired, punchy lyrics. Nothing less should be expected.
The World’s Biggest Paving Slab still lingers as a damnation of those who walk across people, they think nothing of.
Look how they grow. English Teacher depended on some exceptional singles, with Nearly Daffodils and the roaring perfections of Albert Road still fresh in the mind. The world’s smallest celebrity, as Fontaine describes it on Broken Biscuits, hits out at the lack of change despite the cultural cling-on.
Marcadores:
2024,
English Teacher
03/04/2024
No Trend - Your Love
That's what I like....
No Trend formed 1982, Ashton, MD, United States
Disbanded 1988
Post-Punk, Art Punk, Experimental Rock
No Trend formed in 1982. High-school friends Jeff Mentges (vocals) and Bob Strasser (bass), had started an art-punk band called The Aborted, and soon after meeting and adding guitarist Frank Price to the line-up, they changed their name to No Trend.
The slow/sludgy early sound of the band was often compared to Flipper, and was at odds with the fast hardcore punk bands of their city's scene at the time.
After drummer Michael Salkind, the band recorded their first demo tape in early 1983. Three songs from that tape (which was released in full as part of 1995 adding's The Early Months) were released later in 1983 as the band's first 7'' single Teen Love (with the cover being drawn by Price). Strasser left for college after the single's release, and Salkind departed as well. Both were soon replaced by two Virginian musicians - Jack Anderson on bass, and Greg Miller on drums.
This line-up recorded and released the band's debut LP Too Many Humans....., an album that proved to be vastly influential for repetitive/dirgey punk bands that followed the next years.
Lou Reed's "All-Star Band" of Comics - Walk on the Wild Side - Night of ...
Lou Reed, promised the most asskicking All-Star band in history, expresses dismay upon seeing Adam Sandler, Jack Black, Dana Carvey, Jimmy Fallon and Conan O'Brien, but then blows the roof off the Roseland Ballroom at the first "Night of Too Many Stars" benefit for Autism research and services, taped February 27, 2003.
28/03/2024
Yoshiwara Oiran Dochu - 1004 花魁遊行 JAPAN
This is an Oiran Dochu, a performance that re-enacts how the Oiran, or Japanese courtesans, used to parade around the red-light district as part of a procession. These displays were used to greet important customers upon their arrival
Yoshiwara Oiran Dochu procession
Marcadores:
Japan,
Yoshiwara Oiran Dochu
Frank Zappa - 1988 05 14 - Auditorio de la Casa de Campo, Madrid, Spain - EU ESTIVE AQUI NESTE DIA
on this day I was here
FZ, Ike Willis, Mike Keneally, Scott Thunes, Chad Wackerman, Ed Mann, Bobby Martin, Bruce Fowler, Walt Fowler, Paul Carman, Albert Wing, Kurt McGettrick.
1988 05 14 - Auditorio de la Casa de Campo, Madrid, Spain
The Black Page
Packard Goose Medley
Alien Orifice
I Ain't Got No Heart
Love Of My Life
Cruising For Burgers
Find Her Finer
Big Swifty (q: Feelings, Four)
More Trouble Every Day
Penguin In Bondage
Hot Plate Heaven At The Green Hotel
Cosmik Debris
Inca Roads
Sharleena
Bamboozled By Love
Bolero
Crew Slut
The Closer You Are (Lewis/Robinson)
Johnny Darling (Statton/Statton)
Let's Make The Water Turn Black
Harry, You're A Beast
The Orange County Lumber Truck Medley
Oh No
Theme From Lumpy Gravy (aka Duodenum)
Whipping Post (Allman)
"Nos lo vamos a pasar de puta madre".
It was Frank Zappa's greeting to the respectable person as soon as he took the stage at the Madrid Rockódromo.
Then, two hours of music, two hours of a lesson in eclecticism, composition, and a lot of irony and acidity.
This time, the destination of Zappa's satire was Iberia. Throughout his entire performance he did not stop insulting the first Spanish airline. The reason? The organization's version is that, apparently, Zappa found in Bilbao that there were more passengers than seats on his flight to Madrid, and he had to make the trip by car.
Upon arriving, he asked for a change in the order of performance - initially he had to close the night -, claiming that he was tired, and so, every time the lyrics of his songs criticized something, that is, almost always, he closed the phrase with a "like Iberia".
The Zappa-Iberia anecdote ran throughout a concert of a high level of quality, both musically and in the provocative aspect; facet that reached its culmination with the group's farewell: all the musicians horning the audience, with both hands!
[...] The night had begun, with great punctuality, at 9:30 p.m. At that time, while more than half of the approximately 25,000 spectators who attended were stuck in the usual M30-Extremadura highway traffic jam, Mermelada came on stage.
His performance was very similar to what Burning offered, more than three hours later. [...] When Burning began his performance it was already around two in the morning and it was intensely cold in the Casa de Campo. Despite this, more than half of the attendees stayed until the end.
La primera actuación en España de Frank Zappa & The Mothers Of Invention fue en Badalona, el 4 de octubre de 1974
26/03/2024
MNOZIL BRASS | Wilhelm (William) Tell Overture
Das Gelbe vom Ei - La Crème de la Crème (Official Music Video)
G2film & JH Pictures Production – directed by Jasmina Hajdany
filmed @ Kubinsaal Schärding
2008
Marcadores:
BasstSaxophone,
MNOZIL BRASS,
saxophone,
Wilhelm William
Leo P meets our CONTRABASS SAXOPHONE
Leo Pellegrino plays the monstrous Benedikt Eppelsheim Contrabass Saxophone in the Sax.co.uk London Store.
Sopranino & Basst Saxophone Due
Welcome to Sax.co - The World’s Leading Saxophone Specialist. A family-run business with over 25 years of experience. Our staff are players, teachers, technicians, and repairers so no one is better equipped to help you enjoy a great sax life.
Marcadores:
BasstSaxophone,
Duet,
Sopranino
"CONTRABASS SAXOPHONE" (really BIG)
Raffaele, who allowed me to record this video !! is one of the best Sax shops in the world, and you can buy anything through
Marcadores:
contrabass saxophone
Horror Musical Instrument - The Apprehension Engine
The Apprehension Engine has come a long way since this video was made. Here's a performance from 2020:
• Apprehension in Quarantine
I made a sketch of an idea I had for an instrument that specialized in creating horrifying sounds, and together with my good friend Tony Duggan-Smith, we designed it and Tony built it for me, with the intention of using it in horror film score.
It consists of metal rulers which are bowed, a hurdy gurdy like mechanism, a string played with an attached Ebow, a spring reverb (also played with an ebow) some long metal rods, magnets, trash, anything at all to get unnerving sounds.
Marcadores:
Horror Musical Instrument,
weird
Vasilios Karapanos- Contrabass Saxophone -There aren't that many contrabass saxophones in the world, very few exist today. About 6 feet tall and only weighing about 35 pounds
There aren't that many contrabass saxophones in the world, very few exist today. About 6 feet tall and only weighing about 35 pounds
Marcadores:
contrabass saxophone,
Vasilios Karapanos
Attilio Berni plays the giant J'Elle Stainer sub-contrabass saxophone
Attilio Berni plays Cute with the giant J'Elle Stainer sub-contrabass saxophone.
Cute
Moonlight big band
band conductor: Augusto Travagliati
drummer: Alfredo Romeo
Revelator (Will Bernard, Bill Laswell, Peter Apfelbaum, Aaron Johnston) ...
Will Bernard - guitar, lap steel
Bill Laswell - bass
Peter Apfelbaum - saxophones, flutes, organ, piano
Aaron Johnston - drums
Marcadores:
Aaron Johnston,
Bill Laswell,
Peter Apfelbaum,
Revelator,
Will Bernard
CP Unit, Before The Heat Death - Quantized - Brandon Seabrook · Tim Dahl · Weasel Walter · Chris Pitsiokos
CP Unit, Before The Heat Death (Clean Feed)
Ever since extreme-music overlord Weasel Walter took Chris Pitsiokos under his wing in 2012, the saxophone wunderkind has been a major player in Brooklyn’s DIY jazz and experimental underground. In late 2016, Pitsiokos and his Quartet offered up One Eye with a Microscope Attached quickly followed by the early 2017 release of his CP Unit’s Before the Heat Death, a godhead assault that channels the downtown free-improv mayhem of John Zorn, the ecstatic groove throw downs of electric-era Ornette Coleman and the proggy precision of Walter’s Flying Luttenbachers. Fittingly, it’s Walter and his Lydia Lunch Retrovirus bandmate, bassist Tim Dahl on drums and bass respectively, holding the chaotic fort, giving free rein to Pitsiokos and guitarist Brandon Seabrook to go batshit-crazy with a brutal punk-jazz monolith that calls to mind no wavers like James Chance and the Contortions, DNA and John Lurie and The Lounge Lizards.
Marcadores:
2017,
Brandon Seabrook,
Chris Pitsiokos,
CP Unit,
lists music,
music lists,
Tim Dahl,
Weasel Walter
Crown Larks Population 2017 - Stranger (Unce Down to the New Store)
7) Crown Larks, Population (Already Dead)
From the land of post-rock, Shellac, Thrill Jockey Records and The Association for the Advancement of Creative Musicians (AACM), comes yet another group making a holy racket, albeit under-the-radar, in Chicago’s underground scene and beyond: Crown Larks. On Population, the follow-up to 2015’s Blood Dancer, the adventurous, free spirited noisemakers in Crown Larks form a psychedelic rainbow colored by soaring alto sax and flute-driving pirouettes, tribal-centric polyrhythmic action and organ-drenched post-jazz freak-outs on a Kraut-rock bender and topped by the cathartic wails of vocalists Jack Bouboushian and Lorraine Bailey.
10 Best Experimental Albums of 2017 So Far
From interstellar rock to electro-samba to psych-jazz spirituality and back
10)Colin Stetson, All This I Do For Glory (50HZ)
9-Dálava, The Book of Transfigurations (Songlines)
8-Bearthoven, Trios (Cantaloupe Music)
7) Crown Larks, Population (Already Dead)
6- Mako Sica, Invocation (Feeding Tube)
5) Conformity Contortion (Sara Lund and Thollem Electric), Perception Management (Personal Archives)
4-Bill Brovold & Jamie Saft, Serenity Knolls (RareNoise)
3) Arto Lindsay, Cuidado Madame (Northern Spy)
2-Joshua Abrams & Natural Information Society, Simultonality (Eremite)
1) CP Unit, Before The Heat Death (Clean Feed)
Ever since extreme-music overlord Weasel Walter took Chris Pitsiokos under his wing in 2012, the saxophone wunderkind has been a major player in Brooklyn’s DIY jazz and experimental underground. In late 2016, Pitsiokos and his Quartet offered up One Eye with a Microscope Attached quickly followed by the early 2017 release of his CP Unit’s Before the Heat Death, a godhead assault that channels the downtown free-improv mayhem of John Zorn, the ecstatic groove throw downs of electric-era Ornette Coleman and the proggy precision of Walter’s Flying Luttenbachers. Fittingly, it’s Walter and his Lydia Lunch Retrovirus bandmate, bassist Tim Dahl on drums and bass respectively, holding the chaotic fort, giving free rein to Pitsiokos and guitarist Brandon Seabrook to go batshit-crazy with a brutal punk-jazz monolith that calls to mind no wavers like James Chance and the Contortions, DNA and John Lurie and The Lounge Lizards.
Marcadores:
2017,
Colin Stetson,
Crown Larks,
Joshua Abrams,
lists music,
Mako Sica,
music lists
23/03/2024
20/03/2024
Necessaries- State-Of-The Art - Jesse Chamberlain: Drums from PERE UBU
NYC power pop / new wave band, formed 1978, New York.
Ed Tomney: Guitars, vocals, songwriter
Randy Gun: Guitars, vocals, songwriter (left 11/79)
Chris Spedding: Vocals, lead guitar, keyboards (replaced Randy Gun, left late 1980)
Ernie Brooks: Bass
Jesse Chamberlain: Drums from PERE UBU
Arthur Russell: Vocals, keyboards, cello (replaced Chris Spedding, mid-1981).
State-Of-The Art · The Necessaries
Event Horizon 1982 Sire Recording
Designer: Andrew Elias
Cello, Guitar, Keyboards, Vocals: Arthur Russell
Producer: Bob Blank
Guitar, Synthesizer, Vocals: Ed Tomney
Bass, Vocals: Ernie Brooks
Coordinator: Jeff "Treader" Osborne
Drums, Percussion: Jesse Chamberlain
Graphic Designer: Paul Waldman
Front Cover Photographer: Paul Waldman
Coordinator: Steve Baker
Manager: Steve Ralbovsky
Writer: Ed Tomney
Marcadores:
Jesse Chamberlain,
musica- Pere Ubu,
Necessaries,
Pere Ubu,
The Necessaries
The Necessaries - Big Sky [1981] Jesse Chamberlain drummer of PERE UBU
NYC power pop / new wave band, formed 1978, New York.
Ed Tomney: Guitars, vocals, songwriter
Randy Gun: Guitars, vocals, songwriter (left 11/79)
Chris Spedding: Vocals, lead guitar, keyboards (replaced Randy Gun, left late 1980)
Ernie Brooks: Bass
Jesse Chamberlain: Drums
Arthur Russell: Vocals, keyboards, cello (replaced Chris Spedding, mid-1981).
Marcadores:
Jesse Chamberlain,
Necessaries,
Pere Ubu
16/03/2024
Nadine Shah - Food For Fuel 2024
Apocalyptic, "cyber", hieratic, urban, tribal, mental but at the same time visceral is "Filthy Underneath" by Nadine Shah
Always the author of excellent works including "Love Your Dum And Mad" (2013), "Fast Food" (2015) and "Holiday Destination" (2017), Nadine Shah, with "Filthy Underneath" (EMI), becomes ecumenical, abandoning the more rock and acoustic declinations that had given life to songs such as "Dreary Town", "The Devil", "To Be a Young Man", "Fool", "Evil" ... and making a definitive "cybernetic" upgrade, he exasperates his writing with apocalyptic, hieratic, urban, tribal, mental but at the same time visceral tones and rings a sequence of lightning-fast, nitric and nitrent compositions that explode and impose themselves right from the splendid opening entrusted to "Even Light", in which the singing is exalted on a perfect rhythmic base, sealed by abrasive and incisive instrumental openings ... "Tame the favourite child/Overweight on praise/Go and throw him to the wild/Leave him there to graze".
This is followed by the swirling "Topless Mother", with the sublime refrain "Sinatra, Viagra, iguana/Sharia, Diana, samosa/Varuca, Tequila, banana/Alaska, Medusa, gorilla".
"Food for Fuel" is sinuous and fluctuating in the assonances of words and in the preciousness of electronics where "Human nature petty feud".
The pace of "You Drive, I Shoot" is pure electro-rock steeped in industrial, which hides Kraut references of Kraftwerk matrix between the grooves.
"Keeping Score" is another gem in its quiet invocation and exact melody: "The world is on fire/You are a lifeline/There's nothing that's painless/Look how I am trying/The world is on fire/Take one more good time/Contagious and nameless/Seeking the divine/The world is on fire/You are a lifeline".
"Sad Lads Anonymous" is rhythmic and deconstructive for a spoken word in which "Or what's worse/Dying before your time or living beyond it".
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