Ava Mendoza - Devin Hoff - Revels Ten Forward 2023

Devin Hoff: electric bass, compositions James Brandon Lewis: tenor saxophone Ches Smith: drums 'Echolocation' is the astonishing debut album from Mendoza Hoff Revels, a formidable new unit led by Ava Mendoza & Devin Hoff and featuring James Brandon Lewis & Ches Smith. While Mendoza and Hoff have floated around each other's musical orbits for decades, and have been friends for some time, this is their first work together on record. It is an electric & holy harmonic fusion of highly estimable musical forces; wholly rendered. The original impetus of this group was Mendoza’s, based on the love she and Hoff shared for aggressive and polyglot electric avant-garde ensembles – artists like mid-80's Black Flag (w/ Roessler & Stevenson) and Ornette Coleman's Prime Time bands revolutionized the way they heard music. As stated in their liner notes, "we shared the writing of these pieces, though without the sizable stamps of both James and Ches, they would sound nothing like they do here.”

Jeanne Lee And Ran Blake - Blue Monk

Jeanne Lee - Straight Ahead

Jeanne Lee (January 29, 1939) – October 25, 2000)was an American jazz singer, poet and composer. Best known for a wide range of vocal styles she mastered, Lee collaborated with numerous distinguished composers and performers who included Gunter Hampel, Andrew Cyrille, Ran Blake, Carla Bley, Anthony Braxton, Marion Brown, Archie Shepp, Mal Waldron, Mark Whitecage and many others. Jeanne Lee combines acrobatic vocal maneuvers with a deeply moving sound and quality that allows her to alternate between soaring, upper register flights and piercing, emotive interpretations. She's extremely precise and flexible, and moves from a song or solo's top end to its middle and bottom accompanying an instrument with a stunning ease. Though many critics have cited Lee as creating free jazz's most innovative vocal approach, she's done very little recording, almost none of it as a leader, and even less on American labels. She's best-known for her many sessions with Gunther Hampel. Lee studied dance rather than music at Bard College, but while a student there, she met Ran Blake. They formed a duo, and she did her first recordings with him, which excited many critics. They toured Europe in 1963. Lee moved to California in 1964 and worked with Ian Underwood and sound poet David Hazelton, whom she later married. She and Hampel established their musical relationship while Lee was in Europe in 1967, going on to record over 20 albums together. Lee also recorded with Archie Shepp, Sunny Murray, and Hampel in the late '60s, and with Marion Brown, Anthony Braxton, Enrico Rava, and Andrew Cyrille in the '70s, while also working with Cecil Taylor. She began composing extensively in the '80s and began concentrating on performing her original material, which frequently included poetic and dance components. Most of her recordings have either been done for European labels or small independents. After living in New York in the mid-'90s, Lee taught at two music conservatories in Europe for several years. In 2000, Lee faced colon cancer without medical insurance. Some months after surgery, creative music lost a great voice. Benefit concerts (to help the family with expenses) were held by a number of jazz musicians, including Joseph Jarman, Gunter Hampel, Rashied Ali, Hamiet Bluiett, Abbey Lincoln, and many more. During the mid-1960s, Lee was exploring sound poetry, happenings, Fluxus-influenced art, and other multidisciplinary approaches to art. She was briefly married to sound poet David Hazelton, and composed music for the sound poetry by poets such as Dick Higgins and Alison Knowles, becoming active in the California art scene of the time. In the late 1960s, she returned to the jazz scene and started performing and recording, quickly establishing herself as one of the most distinctively independent and creative artists in the field. Already a few years after her return she had a major role in Carla Bley's magnum opus, Escalator over the Hill (1971), and recorded albums with eminent musicians including Archie Shepp, Enrico Rava and Marion Brown. In 1967, while in Europe, Lee began a long association with vibraphonist and composer Gunter Hampel, whom she eventually married. They had a son, Ruomi Lee-Hampel, and a daughter, Cavana Lee-Hampel. In 1976, she represented the African-American spiritual musical tradition in John Cage's Apartment House 1776, which was composed for the U.S. Bicentennial. The experience inspired Lee to devote more attention to her composing, and create extended works. The immediate result was Prayer for Our Time, a jazz oratorio. Lee continued to perform and make recordings until her death in 2000, recording for labels such as Birth, BYG Actuel, JCOA, ECM, Black Saint/Soul Note, OWL and Horo. She sang on a large number of albums by Gunter Hampel. In her late years, she ran the Jeanne Lee Ensemble, which performed a fusion of poetry, music and dance, and collaborated and toured with pianist Mal Waldron. Lee was also active as educator. She received a MA in Education from New York University in 1972 and taught at various institutions both in the US and in Europe. She published a number of short features on music for Amsterdam News and various educational writings, including a textbook on the history of jazz music for grades four through seven. Lee died of cancer in 2000 in Tijuana, Mexico, aged 61. She was survived by her husband and children

Norma Winstone - Edge Of Time

Norma Winstone has a beautiful voice, agile and expressive, and she's a fine improviser as well. That's not to say she's a vocal athlete, however; although she's known for her wordless improvisations, Winstone is a fine interpreter of lyrics and composed melody -- a plain-speaking, rhythmically direct singer who gets to the heart of the matter quickly and effectively. Winstone played piano and organ in her youth. She began singing semi-professionally at the age of 17, influenced by conventional jazz vocalists. During the '60s she became attracted to the avant-garde jazz. She played in groups led by pianists Michael Garrick and Mike Westbrook; she also sang with such forward-thinking musicians as saxophonist John Surman, flügelhornist Kenny Wheeler, composer Michael Gibbs, and pianist John Taylor (whom she married in 1972). A late-'60s gig at Ronnie Scott's club in London (also on the bill was the legendary tenor saxophonist Roland Kirk) garnered her critical notice. In 1971 she was named best jazz singer in a poll by the British publication Melody Maker. That year, she recorded her first album as leader, Edge of Time, for the Decca label. With Wheeler and Taylor, Winstone formed Azimuth, a critically acclaimed contemporary chamber jazz group that recorded several times for the ECM label starting in the mid-'70s. Winstone is also an accomplished lyricist, having written words to music composed by guitarists Egberto Gismonti and Ralph Towner, bassist Steve Swallow, and vocalist Ivan Lins, among others. Chamber Music Winstone has also performed and/or recorded in ensembles with Jimmy Rowles, Lee Konitz, Tony Coe, Fred Hersch, John Abercrombie, Dave Holland, Peter Erskine, and George Mraz. In 1992, she collaborated with composer/arranger Steve Gray in the creation of "A French Folk Song Suite," commissioned and performed by the North German Radio big band. She is also a member of Wheeler's big band. In July 2002 she was awarded the title Best Vocalist at the BBC Jazz Awards at London's Queen Elizabeth Hall. That same year, she released the album Chamber Music with pianist Glauco Venier. Winstone returned in 2006 with Amoroso... Only More So featuring the Stan Tracey trio. Winstone then paired for two more albums with Venier, including 2007's Distances and 2009's Stories Yet to Tell. In 2013 Winstone delivered the album Mirrors with longtime collaborator Wheeler. The trio album Dance Without Answer, featuring Venier, appeared on ECM in 2014. Rested: Songs for Films In 2018, Winstone issued one of her most ambitious projects in Descansado: Songs for Films for ECM. It offered re-arranged versions -- by Gesing and Venier -- of music by cinema composers Nino Rota, Michel Legrand, William Walton, Bernard Herrmann, and Ennio Morricone, some with new words by Winstone who, unknown to some, has been a sensitive and articulate lyricist throughout her career. For the project, the trio with Gesing and Venier was augmented by Norwegian percussionist Helge Andreas Norbakken and Italian classical cellist Mario Brunello.

London Brew album London Brew Miles Chases New Voodoo In The Church 2023

Brilliant though many of these musicians have been in numerous other contexts, this might be some of their finest work: a thrilling 90-minute voyage into the outer regionso f electric jazz.

Alabaster DePlume - Come With Fierce Grace 2023 Jazz Fusion, Avant-Garde Jazz, Spiritual Jazz song Greek Honey Slick

Alabaster DePlume - Come With Fierce Grace 2023 Jazz Fusion, Avant-Garde Jazz, Spiritual Jazz

jaimie branch album Fly or Die Fly or Die Fly or Die ((world war)) 2023 song baba louie

jaimie branch - Fly or Die Fly or Die Fly or Die ((world war)) 2023 Avant-Garde Jazz