Only a portion of that set made it onto this LP (two unreleased studio cuts complemented the CD *), which really can’t do FNM’s singular on-stage ferocity justice, despite explosive renditions of “The Real Thing,” “Falling to Pieces,” “From Out of Nowhere,” and “Zombie Eaters.” As you’ll probably recall, the band quotes Technotronic’s ubiquitous hit of the day, “Pump Up the Jam,” at the end of their breakthrough, “Epic,” slaps “We Care a Lot” around, waltzes through “Edge of the World” (I still don’t really like this tune), then absolutely crushes Black Sabbath’s “War Pigs.” Through it all, Mike Patton’s rising star power is unmistakable, but you have to give it up for the entire band, especially drummer Mike ‘Puffy’ Bordin and the now long since dearly departed Jim Martin, whose staccato thrashing talents were really something else. And there you have it: the most thrilling live band of 1991, * These being a country acoustic instrumental named “The Grade” and a much more compelling, properly fleshed out leftover from 1989’s The Real Thing sessions called “The Cowboy Song.
A internet é hoje em dia o reflexo daquilo que somos para o bem e para o mal. Eu criei este blogue com o objectivo de falar sobre a cultura pop - musica, cinema, livros, fotografia, dança... porque gosto de partilhar a minha paixão, o meu conhecimento a todos. O meu amor pela música é intenso, bem como a minha curiosidade pelo novo. Como não sou um expert em nada, sei um pouco de tudo, e um pouco de nada, o gosto ultrapassa as minhas dificuldades. Todos morremos sem saber para que nascemos.
30/12/2018
FAITH NO MORE
Only a portion of that set made it onto this LP (two unreleased studio cuts complemented the CD *), which really can’t do FNM’s singular on-stage ferocity justice, despite explosive renditions of “The Real Thing,” “Falling to Pieces,” “From Out of Nowhere,” and “Zombie Eaters.” As you’ll probably recall, the band quotes Technotronic’s ubiquitous hit of the day, “Pump Up the Jam,” at the end of their breakthrough, “Epic,” slaps “We Care a Lot” around, waltzes through “Edge of the World” (I still don’t really like this tune), then absolutely crushes Black Sabbath’s “War Pigs.” Through it all, Mike Patton’s rising star power is unmistakable, but you have to give it up for the entire band, especially drummer Mike ‘Puffy’ Bordin and the now long since dearly departed Jim Martin, whose staccato thrashing talents were really something else. And there you have it: the most thrilling live band of 1991, * These being a country acoustic instrumental named “The Grade” and a much more compelling, properly fleshed out leftover from 1989’s The Real Thing sessions called “The Cowboy Song.
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